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FLORAL FEATHERS
Welcome to the Gallery
My Ancestors Are Proud
I truly believe our Ancestors are proud of how far we’ve come, and of the way our youth are embracing their culture — whether they are Métis, First Nations, or Inuit.
©LisaBerry 2025
©LisaBerry 2025
Amethyst
February marks the dawn of a new month and the exciting start of a fresh decade in my life.
©LisaBerry2025
©LisaBerry2025
The Light
For all Indigenous individuals concealing their identity or newly embracing their culture, it's ok to step into the light. Embrace your heritage, take pride, and learn about your culture and ancestors.
An indigenous woman embraces her heritage, with florals symbolizing her ancestors coming to life. The guiding light assures her that everything will be okay.
©Lisa Berry 2024
An indigenous woman embraces her heritage, with florals symbolizing her ancestors coming to life. The guiding light assures her that everything will be okay.
©Lisa Berry 2024
Petals of Ancestry
The artwork depicts various flowers, each representing a different family member. The artist has drawn each element with great care, capturing the intricate connections between each individual. This piece reflects Lisa's journey and her pride in her Métis heritage. It serves as a stunning reminder of the power of family and a beautiful tribute to their shared history.
©Lisa Berry
©Lisa Berry
Shine On
Keep shining, and don't let anyone hold you back from your dreams.
©LisaBerry
©LisaBerry
I am Michif
I choose to honour my Indigenous ancestry and embrace every part of who I am. I acknowledge that some parts of me have stayed hidden for too long, but I am now reflecting on how this has affected me and how I have raised my children. I am committed to living my life in a way that is true to myself and my heritage, embracing every aspect of my identity with pride and joy.
©Lisa Berry
©Lisa Berry
Growth
We are constantly growing in our own unique way, at our own pace.
©LisaBerry
©LisaBerry
The Métis Way
The Métis have a vibrant culture of decorative art that showcases the colourful floral motif in beadwork and embroidery. The Dakota and the Cree referred to the Métis as the “Flower Beadwork People”. I bead from time to time; I’m still learning. Instead I illustrate my vision of beadwork as a way to connect to my Métis culture.
©LisaBerry
©LisaBerry
Métis Woman
This piece celebrates the beauty and strength of Métis women. I hope it resonates with others who share my identity. My goal is to make sure that Métis women feel represented and empowered through this piece. I strive to create beautiful illustrations that capture the strength, resilience and diversity of Métis women. My art is a celebration of the incredible journey that Métis women have taken throughout generations.
©Lisa Berry
©Lisa Berry
Moccasin Vamps
A moccasin vamp is the top section of a moccasin, sewn on like the tongue of a shoe. Moccasin vamps have been used in art installations to honour missing Indigenous women and children from residential schools.
©LisaBerry 2024
©LisaBerry 2024
National Indigenous Peoples Day
National Indigenous Peoples Day is celebrated annually on June 21st. It is a day dedicated to celebrating the rich diversity, history, resilience, and culture of Indigenous Peoples. In Canada, over 1.8 million people identify as First Nations, Inuit, and Métis, each with unique traditions, cultures, and languages.
©Lisa Berry
©Lisa Berry
MMIW
Red Dress Day, also known as the National Day of Awareness for Missing and Murdered Indigenous Women and Girls and Two-Spirit People, is observed on May 5th. The day honours and brings awareness to the thousands of Indigenous women, girls and two-spirit people who have been subject to disproportionate violence in Canada.
Red Dress Day was inspired by Métis artist Jaime Black’s REDress Project installation, in which she hung empty, red dresses to represent the missing and murdered women. Red dresses have become symbolic of the crisis as a result of her installation.
©Lisa Berry
Red Dress Day was inspired by Métis artist Jaime Black’s REDress Project installation, in which she hung empty, red dresses to represent the missing and murdered women. Red dresses have become symbolic of the crisis as a result of her installation.
©Lisa Berry
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